米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏 – 爱画网

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This is a portrait of the daughter of the artist’s landlord at Southend, where Brown stayed in 1846. He had just returned from Europe; at Basel he had admired the portraits of Holbein and in Rome he studied the Italian Renaissance and the German Nazarene painters. This experience is reflected in the frontal pose, even light and clear shadowless modelling of the figure. At a time when child portraiture tended to the sweet and sentimental, Brown painted the little girl with remarkable naturalness and directness.

   This is a portrait of the daughter of the artist’s landlord at Southend, where Brown stayed in 1846. He had just returned from Europe; at Basel he had admired the portraits of Holbein and in Rome he studied the Italian Renaissance and the German Nazarene painters. This experience is reflected in the frontal pose, even light and clear shadowless modelling of the figure. At a time when child portraiture tended to the sweet and sentimental, Brown painted the little girl with remarkable naturalness and directness.

  

  

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

米莉·史密斯Millie Smith细节图欣赏:

小女孩的正脸细节图

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

桌子和椅子细节图

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

桌上的瓶花细节图

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

墙壁细节图

米莉·史密斯Millie Smith 福特·布朗(Ford Madox Brown)油画作品欣赏

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